Hands Of Time – Life is a song (Studio Live)

The song is produced and arranged by Andrea Mescolini.
Written and performed by HOT.
This video is filmed by Lafresia Media Productions

A brand new song from Hands Of Time, written after the last U.K. Tour, that introduces the forthcoming album to be released June 2014.

It’s the first video from our “Studio Live” Set. More coming……

H.O.T. Live @ AUDIODROME – Turin, Italy

Opening + Can’t Get Far.
Turin, Italy

Thx to the fan who sent us this video!
And thanx to Audiodrome Live Club ….for real!

Great show! This is the opening song:
“Can’t get far”…more new stuff coming, people:)

H.O.T. – Live @ AFTERLIFE CLUB, Perugia

Sands Of Arizona (New song 2013)
Live from Perugia – Italy

HOT is proud to present a brand new song, “Sands Of Arizona”, introducing the upcoming album (2013). The tune states the definitive step the band took towards a brand new genre.
It’s a song dedicated to the amazing journey we also call music…and to the sands of a land that left Leo, D.D and Dizzy speechless…for too many reasons to be told. An adventure between dream and reality… Shot during the European “THE MISTRAL BLOWS” Tour, the scenes portrait HOT on stage in Italy, Live @ AfterLife Club, (Pg).

All rights reserved. HOT 2013. Romus Edizioni © 2013

HOT “The Mistral Blows” (censored)

The song “The Mistral Blows” has been written & recorded exclusively by HOT. HOT © 2011. Romus © 2011.
Produced and arranged by Andrea Mescolini. Recorded at the Bonsai Recording Studios, Orvieto (TR), 05018 – Italy, in october, 2011. Director: Giovanni Bufalini. Screenplay: Giovanni Bufalini – Marco Greganti adaptation from the original story and screenplay by Amanda Knox. Cinematography: Dario Germani. Edited by: Francesca Sofia Allegra. Executive production: Alessandro Pondi & Birkut. RED Cam. An Alessandro Pondi Production 2011. © All rights reserved.

The Videoclip

The videclip of the song has been shot on sunday 16th, october 2011, under the keen direction of Giovanni Bufalini, in Orvieto, inside the complex of buildings that used to be one of the biggest italian army barracks, the “Piave”. The sense of sickness and awkwardness that it feels visiting this place, the awful structural conditions, and the veil of darkness that embraces it, immediately led the work to a specifical direction, sad and melancholic, which the writer’s screenplay clearly refers to, creating the perfect feelings to anchor on the mood she described within the play.